fjord bar stool
Design Patricia Urquiola,
2002
From a piece of seashell, which has been broken and smoothed by the waves, Patricia Urquiola has designed a collection of seats for both the home and public spaces. As the name suggests, there is a strong Scandinavian influence with references to Arne Jacobsen and the inlets of northern coastlines represented in the long cut-away. Like a natural cycle where the shell is reborn through the effects of time and water, the chair becomes armchair and then stool. Its broken form and abstract concept together become an object of design: smooth lines that support and envelop are picked out in decorative stitching in harmony with the essence of the chair’s structure.
490W*500D*770H
490W*500D*900H
Born in Oviedo, Patricia Urquiola attended the Faculty of Architecture of the Technical University of Madrid, where she graduated in 1989 having completed a thesis with Achille Castiglioni. From 1990 to 1992, she was assistant lecturer on his courses. Between 1990 and 1996, she worked with Vico Magistretti for the new product development office of De Padova and signed the products: “Flower,” “Loom sofa,” “Chaise,” and “Chaise Longue.”
Agostino Moroso, with his wife, Diana, founded the Moroso company in 1952 with an artisanal approach to making sofas, armchairs and furnishing accessories. Their iconic designs have propelled them within the upholstered furniture market, with help from a long list of well known designers: Ron Arad, Patricia Urquiola, Ross Lovegrove, Konstantin Grcic, Alfredo H?berli, Toshiyuki Kita, Marcel Wanders and others. Each piece maintains a noticeable Moroso style while representing other cultures as well. Its international outlook has landed Moroso into the MoMA in New York, Le Palais de Tokyo, the Grand Palais in Paris.
