joy stool
Design Edward van Vliet,
2008
Sushi Collection, Karkaoma, Juju, Donut, Joy, block seat， damask embroidery, oriental symbolism, floral patterns and digital grids: a collection which finds its identity in the abundance of layering. There is an accumulation of different inputs and stimuli, a manic flow which goes from architectural forms to various images from folklore. Traditional, futuristic, digital rationality, three-dimensional, romantic, psychedelic elation, a visual melting pot of fabric, fear of emptiness, harmony, immodest, delicacy and geometric severity…an endless series of images and visions , which neither frightens nor intimidates but rather welcomes the user into a soft, hypnotic kaleidoscope.
300Φ
500Φ
Edward van Vliet is part of a generation of contemporary Dutch designers that has claimed the international limelight. With his namesake design studio he left his marks in both product and interior design for hospitality, residential, and office sectors. His work is characterized by a high attention to detail and a vast scope of influences that are mixed and matched to give spaces a remarkable level of expression. With twenty five years of expertise in design and consumer behaviour and his close cooperation with world-class design brands and manufacturers, Edward van Vliet brings a fresh mindset to destination design with results of the highest standard.
Agostino Moroso, with his wife, Diana, founded the Moroso company in 1952 with an artisanal approach to making sofas, armchairs and furnishing accessories. Their iconic designs have propelled them within the upholstered furniture market, with help from a long list of well known designers: Ron Arad, Patricia Urquiola, Ross Lovegrove, Konstantin Grcic, Alfredo H?berli, Toshiyuki Kita, Marcel Wanders and others. Each piece maintains a noticeable Moroso style while representing other cultures as well. Its international outlook has landed Moroso into the MoMA in New York, Le Palais de Tokyo, the Grand Palais in Paris.
