amoebe highback
Design Verner Panton,
1970
Laminated structure, foam upholstery
Amoebe was created by Verner Panton in 1970 for his famous Visiona installation, which included several versions of this lounge piece. It embodies the exuberant spirit of the early 1970s. Thanks to its upholstered surfaces and the flexible back shell, Amoebe offers a high level of comfort.
The Amoebe Highback version of the chair has a flexible backrest that curves over the head of the sitter, forming a sculptural canopy. This striking accent gives the chair a sense of shelter and seclusion.
Both chair versions are available in a variety of brightly coloured fabric covers.
860W*620D*820H
880W*620D*1273H

Verner Panton (1926 – 1998) of Denmark created innovative, futuristic designs in vibrant colors with a variety of materials, especially plastic. Though his style was very "1960s," he regained popularity at the end of the 20th century. As of 2004, his most of his well-known furniture models are still in production. Already an experienced artist, Panton studied architecture at the Royal Danish Academy of Art in Copenhagen, graduating in 1951. During the first two years of his career, 1950–1952, he worked at the architectural practice of Arne Jacobsen, another Danish architect and furniture designer. Panton started his own design and architectural office and became well known for his innovative architectural proposals, including a collapsible house (1955), the Cardboard House and the Plastic House (1960). In the mid-1950's, Panton converted a Volkswagen bus into a mobile studio and travelled across Europe. He returned to Denmark in 1958 full of unconventional ideas, one of which evolved into the iconic Heart Cone Chair. In 1960 Panton was the designer of the very first single-form injection-molded plastic chair. The Stacking chair or S chair, became his most famous design and was mass-produced.
Vitra is a Swiss company dedicated to improving the quality of homes, offices and public spaces through the power of design. Following in the tradition of Charles & Ray Eames, who have influenced Vitra’s approach to sustainability in many ways, product longevity is central to the company’s contribution to sustainable development; short-lived styling is avoided at all costs. This can be seen most clearly in the classical pieces of furniture that have been used for decades, had several owners and have then even ended up as a part of a collection.