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agnese armchair

agnese armchair

Design Gianfranco Frattini, 0
Northeast China ash, flannelette

Tacchini’s constant and passionate research about furniture design always brings the company to discover new shapes, materials and creative personalities, but also to rediscover historical design masters. After Achille Castiglioni and Franco Albini, this time Tacchini’s focus is Gianfranco Frattini, one of the major protagonists of Italian Design from the ‘50s to the beginning of 2000.Even if Tacchini presents it today with a new name, Agnese, the armchair is produced in a very accurate way and with extreme fidelity to the original design. The ash wood structure has different finishes whilst the shell, the backrest and the armrest finished with sartorial seams come together in harmonious combination. Moreover, following from Frattini’s original project, the armchair is accompained by a matching ottoman. Agnese is just the beginning of a comprehensive project that aims to support the revival of a great designer’s style but also an entire atmosphere of interior decor.

840 w | 840 d | 730 h

Gianfranco Frattini

Gianfranco Frattini (May 15, 1926-April 6, 2004) was an Italian architect and designer. He is a member of the generation that created the Italian design movement in the late 1950s through the 1960s. Gianfranco Frattini was born in Padua, Italy on May 15, 1926. He graduated with a degree in architecture from the Politecnico di Milano in 1953. Frattini opened his own professional practice in Milan, after having worked in the office of his teacher and mentor Giò Ponti. Frattini became an industrial designer by default when he lacked appropriate lighting and furniture for his interiors. His collaboration with Cesare Cassina for his namesake company started in 1954, followed by collaborations with many other manufacturers, such as Bernini, Arteluce, Acerbis, Fantoni, Artemide (for whom among others pieces with Livio Castiglioni he designed the historic Boalum lamp), Luci, Knoll, Lema and many others. In 1956 he co-founded Associazione per il Disegno Industriale and throughout his career he practiced both industrial design and architecture, focusing mostly on interiors. He was a board member of the Triennale. Great connoisseur of wood craftsmanship, he forged a long and fruitful professional partnership with the master craftsman from Bovisio Masciago (Milan), Pierluigi Ghianda.

Tacchini

Giving space to ideas and quality to space: a central philosophy that Tacchini expresses not only through its products, but also throghout every aspect of the company. It's an approach embodied in the new headquarters, designed by Roberto Grossi, that lie in the countryside between Como and Milan. Set in two luminous floors of dynamic yet simple design, Tacchini's collections share the space with the firm's business development, management and production activities. The new headquarters are a confidential statement made by a brand rich in original, creative values – wich has achieved great success in Italy and abroad.
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