verner panton junior chair
Design Verner Panton,
1960
Plastic
The Panton Chair has always been a favorite of children. They not only like its bright, cheerful colors and smooth curves, but the fact that it is as much fun to play with as it is to sit on. Soon after its introduction, Verner Panton began to consider the idea of producing a child-size version of the chair together with Vitra.What was financially unfeasible over 35 years ago is now possible: Vitra introduces the Panton Junior, whose production is based on the original plans of Verner Panton. Identical to the regular model with regard to material and shape, the Panton Junior is approximately 25 percent smaller and available in seven different colors. This makes it an ideal chair for children in pre-school and primary grades.
370 w | 320 d | 580 h

Verner Panton (1926 – 1998) of Denmark created innovative, futuristic designs in vibrant colors with a variety of materials, especially plastic. Though his style was very "1960s," he regained popularity at the end of the 20th century. As of 2004, his most of his well-known furniture models are still in production. Already an experienced artist, Panton studied architecture at the Royal Danish Academy of Art in Copenhagen, graduating in 1951. During the first two years of his career, 1950–1952, he worked at the architectural practice of Arne Jacobsen, another Danish architect and furniture designer. Panton started his own design and architectural office and became well known for his innovative architectural proposals, including a collapsible house (1955), the Cardboard House and the Plastic House (1960). In the mid-1950's, Panton converted a Volkswagen bus into a mobile studio and travelled across Europe. He returned to Denmark in 1958 full of unconventional ideas, one of which evolved into the iconic Heart Cone Chair. In 1960 Panton was the designer of the very first single-form injection-molded plastic chair. The Stacking chair or S chair, became his most famous design and was mass-produced.
Vitra is a Swiss company dedicated to improving the quality of homes, offices and public spaces through the power of design. Following in the tradition of Charles & Ray Eames, who have influenced Vitra’s approach to sustainability in many ways, product longevity is central to the company’s contribution to sustainable development; short-lived styling is avoided at all costs. This can be seen most clearly in the classical pieces of furniture that have been used for decades, had several owners and have then even ended up as a part of a collection.